Mushishi Zoku Shou: Drops of Bells

8UVg2gdOur journey with Ginko, which started in 1999, draws to an end with an adaptation of Suzu no Shizuku (Drops of Bells), the last arc of the acclaimed Mushishi manga by Yuki Urushibara.

In the first half of Suzu no Shizuku, a girl leaves her family behind when she’s summoned to be the next lord of a mountain. Thriving lands, called “Rivers of Light”, require the presence of a lord to maintain the balance of life around that area. Choosing a human as a lord is an unusual move, however. Such a task is usually delegated to animals since they live with fewer emotional attachments.

Several of the introspective themes that were explored in previous arcs are summarized here—most notably interconnectedness, the indifference of nature, and the necessity of letting go. All life—plants, animals, and humans—are dependent on each other, and influenced by the ripples of cause and effect. Nature, which is personified in Suzu no Shizuku as the mountain lord, acts as the unbiased mediator. The overarching lesson is that we should appreciate what we have, and not cling when the time comes for us to move on.

The second half concludes this story without quite concluding the series. The ending leaves some of the questions that were raised in the previous arcs unanswered, but it ties up enough to provide a mostly satisfying conclusion, which I’ll refrain from detailing here. It’s something that really should be appreciated without any spoilers.

The art, animation, and sound design have remained remarkably consistent over the years. The backgrounds in Suzu no Shizuku are just as gorgeous as they’ve been since the first season aired in 2005; the character and special effects animation are fluid and precise; and the soundtrack features the subdued and ambient melodies that have become hallmarks of the series.

When you think about it, it’s kind of a miracle that Mushishi, which is essentially about life experiences and nature, was made with such a substantial budget in today’s impatient, thrill seeking, climate. I’m grateful that ArtLand was willing to take a chance on such an esoteric and spiritual story, and that it’s been successful enough to adapt in its entirety. It’s been a truly remarkable experience.

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