Innocence is a coming-of-age mystery film by writer-director Lucile Hadzihalilovic. At an unsettling all-girls boarding school, a new girl, Iris, is born from a coffin that arrives. Each girl has a distinctly colored hair ribbon that’s passed down to the next youngest in line. Since Iris is now the youngest occupant, she receives the red ribbon. The eldest, Bianca, receives a special purple ribbon from someone who’s no longer there. Iris grows fond of Bianca, and has a lot of questions: Will they receive visitors? Why can’t they leave? Where does Bianca go at night? What’s beyond the wall that surrounds the grounds? Where are they?
Lucile Hadzihalilovic’s follow-up film, Evolution, also has an opening scene where we see someone, through their eyes, submerged in water. Like Innocence, the story is told primarily from the perspective of children, and the adults are suspiciously aloof. While out swimming against his mother’s wishes, Nicolas finds the body of a dead boy. He reports this to his mother, and she tells him that he didn’t see what he saw. At home, she feeds him an ugly green food, and gives him a strange medicine to drink each night. Nicolas’ life parallels the lives of the other boys in a lonely seaside town.
Evolution wasn’t as ambiguous as Innocence, but both films shared a Lynch-ian creepiness with Malick-ian montages through nature. If I had to guess, Innocence is about womanhood, and Evolution is about parenthood.